Does fantasy really need to be grimdark to feel “serious”? I’m not convinced. There is a difference between a story that is painful and one that is hopeless—and somewhere along the way, fantasy seems to have forgotten it.
Must Every Fantasy Hero Be Miserable and Damp? Read More »
March 28 may be “Something on a Stick Day,” but wizards claimed that territory long ago. From practical walking tool to magical focus, the humble staff turns out to be far more than it appears—especially in Magorian’s hands, where it defines the very space magic obeys.
Something on a Stick (and Why Wizards Got There First) Read More »
Bridges look simple, but they quietly reshape the world around them. From Tolkien’s Last Bridge to the rainbow span of Bifröst, bridges in fantasy turn geography into decisions, create natural chokepoints, and mark the crossing from one world into another. As history shows—from Roman Corbridge to the Rhine in 1945—who controls the bridge often controls the story. Which may be why so many unforgettable fantasy moments happen right in the middle of one.
Why Bridges Are Always Trouble in Fantasy Read More »
Epic fantasy promises us war, prophecy, ancient evils, and—eventually—an ending. But what happens when “eventually” starts to feel like a geological era? Let’s talk about unfinished series, glacial winters, and why finishing a story might be the most heroic act of all.
The Unfinished Epic (Or: A Gentle Nudge to Authors Who Wander Off Mid-Apocalypse) Read More »
For years, I assumed my growing frustration with certain fantasy novels was a personal failing—shorter attention span, impatience, age. It turns out it wasn’t me at all. Fantasy has quietly split into two different kinds of books doing two very different things: story-first fiction and immersion-first fiction. Neither is wrong—but when you don’t know which one you’re reading, disappointment is almost guaranteed. This post is about naming that divide, understanding where it came from, and giving readers permission to stop blaming themselves when a “perfectly good” book just doesn’t work for them.
The Fantasy Divide I Didn’t Have Words For—Until Now Read More »
Fantasy as a genre tends to run long. One hundred thousand words (400 pages) for a novel is average. But short fantasy: short stories, novellas and novelettes, are a specialized artistry for the fantasy author. The shorter stories have the same amount of world building as the longer novels, but you only glimpse it. It’s
Top 13 Fantasy Magazines I Follow Read More »