fantasy writing

Why Fantasy Worlds Feel Smaller Than Middle-earth

Fantasy maps have the same problem as those diagrams of the Earth and the Moon: they make impossible distances look deceptively small. A quarter-inch on the map between Rivendell and Hollin hardly seems worth mentioning—until you realise the Fellowship spent weeks walking it. Why does Middle-earth feel so much larger than other fantasy worlds, even worlds that are technically bigger? The answer may lie not in the map itself, but in the long, cold, weary miles between the names.

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Why Bridges Are Always Trouble in Fantasy

Bridges look simple, but they quietly reshape the world around them. From Tolkien’s Last Bridge to the rainbow span of Bifröst, bridges in fantasy turn geography into decisions, create natural chokepoints, and mark the crossing from one world into another. As history shows—from Roman Corbridge to the Rhine in 1945—who controls the bridge often controls the story. Which may be why so many unforgettable fantasy moments happen right in the middle of one.

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Rain, Ruins, and Red Dragons: Why I’ll Always Write with a Bit of Wales in My Blood

Wales has been haunting my stories for years — not literally (though that would be on-brand), but mythically. From the Mabinogion to my Welsh grandfather’s voice, the land and legend of Cymru have steeped themselves into my writing. If you’ve read Magorian & Jones, you’ve heard the echoes. And no, I don’t plan to stop.

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